One thing of course, that is right at hand is to conduct oral histories with the individuals who have played such an important role in the establishment of the movement.
Audio technology or video technology could build a small oral history archive around Jazz as a movement for change.
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Since the early 1960s South African jazz musicians in exile together with their international counterparts have used the freedom of South African jazz to not only strongly influence European jazz music but also fight the struggle against apartheid. Their sacrifices made a significant contribution to the freedom and opportunities we…
Establishing a system and chain of art academies in the Eastern Cape is a core focus of Professor Peggy Luswazi. Her blueprint is a process of rural industrialisation, based on naturally available resources. This could create job opportunities and contribute to arrest the massive brain drain of thousands from rural areas to find no employment…
APPROVAL FOR 3-YEAR SPONSORSHIP AGREEMENT FOR JAZZ AGAINST APARTHEID FESTIVAL IN THE EASTERN CAPE
BEYOND EXILE and the international commitment and dedication to human excellence and progress.
Culture is a wheel of understanding one another or telling a story that cannot otherwise be told as a collective.
Due to the parallel streams of oppression, suppression and depression, South African exiles and their European counterparts worked tirelessly to promote the cause of a long-term and sustainable freedom, both musically and politically.
South Africa…
South Africa and Germany share inglorious, burdening experiences in their history. The apartheid system in South Africa was inspired in essential points by the race laws of the National Socialists in Germany. And, as a result, the experiences of exile that the cultural avant-garde of both countries went through. Structurally similar is also the ignoring…
Poet Vusi “Macingwane” Mchunu told who was at the inaugural event and went on to record the life and passing of Johnny Dyani in the journal African Cultural-Literary Journal AWA – FINNABA that he co-produced and edited in West Berlin in 1984 – 1987. He performed poetry at a number of the JAA events
JAA is first of all a series of concerts organized by both musicians and
political/cultural activists. It is searching for allies and supporters and
remains a free association of people dedicated to the cause of freedom and individual and social solidarity and responsibility.
“Nachwuchsforderung” – the conscious policy and practice of transferring societal values, knowledge and skills to the next generation – as a core focus for Jazz Against Apartheid
Jazz Against Apartheid: “Beyond Exile” contributes to this knowledge within South Africa of South African music and musicians and what they continue to stand for.